This morning Ben apparently got to fulfill his career-long dream of playing acoustic guitar on an album. I'm glad it was on my album and not some other yahoo's. I wrote "Come Back A Fool" on the 6-string in an open tuning (C) back whenever I happened to write it. Ben came up with a nice jangly 12-string part the other day during pre-production, and, since I was too lazy to learn said part, figured he could play it since he's no slouch on guitar. I dubbed Ben "old man Lemoyne", and record he did. Nice playing, old man Lemoyne. Then I stepped up to the mic (hey, that's actually a literal statement) and played the 6-string part on top of it. The parts work quite well together. We call this process "layering", where you record one guitar part over another creating a much richer and fuller sound. I sang a quick scratch vocal and we left for the Shive residence where Beth (Ben's very pregnant wife) fed us some delicious meatloaf and mashed potatoes. We chased that down with a cold 1554 and some dark chocolate before returning to the Beehive for a crack at another tune.
Next up was "Reality Came Crashing Down", a song that I doubt will make any so-called "positive" or "safe-for-the-whole-family" radio playlists (as if any of my music ever has breached those walls). I really have to wonder how listeners will ultimately perceive this song since it is what it is: the facing up to what has become the reality of my inconsequential and highly unsubstantial career up til now. Honestly, as much as I don't want to (and probably shouldn't) admit this, I get the sense that this will be an overall downcast collection of songs (divorce, anger, melancholy, hopeless dreams, comparing myself to an onion, waving goodbye -- these sort of sad subjects). But I also sense that they will be true out of the only voice I know from where to speak. I'm a saint, I am a monster, as I said on Scarce. Not that a song makes anyone either, but knowing thyself is far more revelatory than any melody could ever be.
Ben came up with a very pleasant, Shawn Colvin-esque mandolin part for the song after I recorded acoustic guitar and a rough vocal. I came up with a nice counter-melody/catchphrase which we have yet to figure out what actual instrument will play the part, but we both agree it will be nice. Done day. On to the next...